[ BMG / Warner / 2 LP ]
Release Date: Friday 3 December 2021
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After a tumultuous 1967 for Johnny Cash, the year 1968 was bookended by what would become his two iconic, highest-grossing albums, At Folsom Prison and At San Quentin. But now, fifty-three years later, a lost chapter has emerged to enrich and complement the story of that very good year.
Johnny Cash - At the Carousel Ballroom, recorded on April 24, 1968, captures the Man in Black at the height of his charismatic powers. Confidently departing from the more formalized setlist he'd been doing, we hear him in playful and powerful dialogue with his new bride June Carter and his long-time musicians-guitarist Luther Perkins, bassist Marshall Grant and drummer W.S. Holland-connecting with an audience more accustomed to the Grateful Dead and Jefferson Airplane.
What makes the performance even more significant is that it was recorded by the innovative sound wizard Owsley "Bear" Stanley in a verité style that startles with a clarity and dimension missing from the two more well-known releases. In 1968, it was just another entry in Bear's continuing "sonic journal" of recorded shows, a means to keep improving his art. But thirty years later, Stanley would recognize it as one of a handful of the most significant performances he'd captured.
A1. Cocaine Blues
A2. Long Black Veil
A3. Going To Memphis
A4. The Ballad Of Ira Hayes
A5. Rock Island Line
B1. Guess Things Happen That Way
B2. One Too Many Mornings
B3. Don't Think Twice, It's All Right
B4. Give My Love To Rose
B5. Green, Green Grass Of Home
B6. Old Apache Squaw
B7. Lorena
C1. Forty Shades Of Green
C2. Bad News
C3. Jackson - Johnny Cash & June Carter Cash C4. Tall Lover Man - Johnny Cash & June Carter Cash
C5. June Carter Medley
D1. Long Legged Guitar Pickin' Man - Johnny Cash & June Carter Cash
D2. Ring Of Fire
D3. Big River
D4. Don't Take Your Guns To Town
D5. I Walk The Line