Brokeback Mountain (Complete Opera recorded in 2014)

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CHARLES WUORINEN
Brokeback Mountain (Complete Opera recorded in 2014)
Teatro Real Madrid / Daniel Okulitch, Tom Randle, Heather Buck / Titus Engel (cond)

[ Bel Air Classiques DVD / DVD ]

Release Date: Friday 20 November 2015

This item is currently out of stock. It may take 6 or more weeks to obtain from when you place your order as this is a specialist product.

Rated: G - Films, Videos, and Publications Classification Act 1993Suitable for General Audiences

A modern opera adaptation by Charles Wuorinen, based on Annie Proulx's short story, previously adaptated by Ang Lee for the Oscar-winning film 'Brokeback Mountain', marks Wuorinen's return to the opera stage with one of the major works of his career, equally ambitious in its beauty and momentous tragedy. 'Brokeback' is the story of ranch hand Ennis del Mar and rodeo cowboy Jack Twist, two young men who meet and fall in love on the fictional Brokeback Mountain in Wyoming in 1963.

Wuorinen says "It's a story of doomed love, in this case a complex homosexual relationship taking place in a very homophobic society." In a decidedly different approach from the film adaptation, Wuorinen creates a grittier atmosphere. The story and characters have been tightly condensed by Proulx. In reference to the genesis of the story Proulx has said: "'Brokeback' was constructed on the small but tight idea of a couple of home-grown country kids, opinions and self-knowledge shaped by the world around them, finding themselves in emotional waters of increasing depth. I wanted to develop the story through a kind of literary sostenente." With bass-baritone Daniel Okulitch and tenor Tom Randle. Staged by Ivo van Hove and conducted by Titus Engel.

Running time 150 min: Opera 130 min. & bonus 20 min

Bonus interview with the artists

Subtitles: French / English / Spanish

16/9, NTSC Sound PCM Stereo, Dolby Digital 5.1

HD recording: Teatro Real - Madrid, 02/2014

"The music isn't blithely charismatic like so many contemporary American operas today, and it owes far more to Schoenberg and Berg than to Britten, Bernstein or Copland...Wuorinen's setting reminds one of Monteverdi - formal, stately and psychologically precise...[Okulitch] gives a magnificent and deeply powerful performance...His Ennis emerges as an Orpheus for a new age of love and loss." (Gramophone)