Weber: Symphonies, Overtures & Concertos

Carl Maria von Weber is a name that is often cited with regard to the bridge between Classicism and Romanticism, and yet how many works of his is it possible to name? In this fantastic compendium, we have the chance to explore some of his finest instrumental music; beginning with the two charming symphonies, written in the composer's early 20s and reflecting the new Romantic fascination with timbre, the compilation also details the operatic overtures (Der Freischütz among them), perhaps his greatest works for orchestra alone and which reflect the many years he spent as Director of the Prague and Dresden Houses promulgating nationalist opera. Compositions for soloist and orchestra make up the rest of the release: in addition to the clarinet concertos, music of scintillating bravura which set new standards in this instrument's repertoire, there are the piano concerti - similarly virtuosic works which anticipate those by Mendelssohn and Chopin and are testament to the composer's extraordinary powers as a keyboardist. Indeed, to say that Weber exerted an enormous influence of subsequent generations of composers is no exaggeration; Euryanthe and its highly developed leitmotif technique, for example, pointed the way forward for a young Wagner. Bringing together many world‐class names, such as Emma Johnson on clarinet and Sir Neville Marriner conducting the Academy of t‐Martin‐in‐the‐Fields, this collection is the perfect introduction to a composer whose oeuvre holds a significant place in the music history books.