Schubert: Death and the Maiden / String Quintet in C major

 
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FRANZ SCHUBERT
Schubert: Death and the Maiden / String Quintet in C major
Pavel Haas Quartet, with with Danjulo Ishizaka (cello)

[ Supraphon / 2 CD ]

Release Date: Wednesday 25 September 2013

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It may have seemed that after receiving the prestigious Gramophone Recording of the Year award in 2011 for their album featuring Dvoƙák pieces there were no higher accolades the young Pavel Haas Quartet could achieve.

Schubert's two paramount mature works, rightly ranked among the most valuable chamber gems, represent their Ace of Hearts. The String Quartet in D minor has a sort of dark cipher encoded within. The title "Death and the Maiden" reflects the quotation from Schubert's eponymous song in the second movement. The theme of death is also underlined by other quotations and the choice of the key of D minor, which according to the period definition is characterised by "heavy-hearted womanliness, spleen and foreboding". Schubert completed his String Quintet in C major for an uncommon formation with two cellos a mere two months before his death. Its instrumentation occasionally gives an almost orchestral impression, with the cello playing a significant role as the bearer of melody. The Pavel Haas Quartet invited along a distinguished friend to the recording sessions, the exceptional German-Japanese cellist Danjulo Ishizaka, whose qualities were concisely described by Mstislav Rostropovich: "Phenomenal in his technical ability, perfect in his musical creative power".

GRAMOPHONE MAGAZINE AWARD NOMINATION 2014

"The Pavel Haas Quartet, with the superb extra cellist Danjulo Ishizaka, even succeed where most other ensembles fail, making the last movement of the String Quintet into something that seems a fitting conclusion to a work whose first three movements are unquestionably supreme...essential listening for anyone who loves Schubert." (Five Stars BBC Music)

"This is good. Very good. Acclaim and the Pavel Haas Quartet are familiar bedfellows - after all, they did win Gramophone's Record of the Year for their Dvorák two years ago. But this is their first recording that really steps into a crowded marketplace. They represent the best qualities of the Czech tradition - warmth, sonorousness, individuality, intensity; but what's striking here is their fearless risk-taking, their fervency and the absolute confidence with which they propel you through these two masterpieces. In the Quintet they have the perfect partner in cellist Danjulo Ishizaka - and there's no sense of a quartet plus one, which hampered the Takács Quartet's recent reading.

Their tempi are unfailingly right to the extent that comparisons, for once, seem almost irrelevant. And the slow movement of the Quintet is aching but never emotes superficially; the way the players withdraw the sound at its close is absolutely mesmerising. The Belcea rein in the emotions to a greater degree (compare them at around nine minutes into this movement) but the Pavel Haas - with slightly more dragging, vulnerable phrasing from the first violin - are insanely memorable. They also judge transitions beautifully so that the two works unfold in a completely natural way: just sample the finale of the Quintet, at the point where the second idea, with its slightly wincing Viennese gaiety, gradually yields to the return of the troubled opening idea.

In the Quartet, too, there is much to admire: in the spectral closing minutes of the first movement; or in the slow-movement variations, where you're held rapt as the first violin and then the cello take centre stage, and the ricocheting rhythms of the following variation - which can sound like gunshots in some performances - display a delicacy and a sense of dance. The crazed tarantella that closes the quartet is a tour de force, raw, visceral and with an emotional immediacy that is almost unbearable. Such is the intensity of the playing that by the end of the disc you, too, are quite exhausted. But that's perhaps how it should be.

Will these highly personal interpretations stand the test of time as effectively as the slightly cooler readings from the Belcea and, in Death and the Maiden, the Takács? From this proximity it's impossible to say, but I'd say the odds are pretty good."
Gramophone Magazine Editor's Choice - October 2013

Tracks:

String Quintet in C major, D956
with Danjulo Ishizaka (cello)
String Quartet No. 14 in D minor, D810 'Death and the Maiden'