The Jane Austen Collection: music from the Austen family collection performed on historic instruments

The Jane Austen Collection: music from the Austen family collection performed on historic instruments cover $26.00 Out of Stock
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THE JANE AUSTEN COLLECTION
The Jane Austen Collection: music from the Austen family collection performed on historic instruments
Concert Royal

[ Diversions / CD ]

Release Date: Friday 20 June 2008

This item is currently out of stock. We expect to be able to supply it to you within 2 - 6 weeks from when you place your order.

"The well-recorded programme really does create images of the scene that we are intended to imagine."
- Classical Music on the Web

"Yes, yes, we will have a pianoforte, as good a one as can be got for thirty guineas, and I will practise country dances, that we may have some amusement for our nephews and nieces, when we have the pleasure of their company."

So wrote Jane Austen (1775-1817) to her sister Cassandra on 27th December 1808. Music played a significant part in Jane's life in the cottage at Chawton in Hampshire she shared with her mother and sister. According to Caroline, one of her nieces, she practised the pianoforte each day before breakfast, but could not be prevailed upon to perform in public.

This CD by original-instrument specialists Concert Royal presents music from the personal collection of the Austen family; music that would have been heard, if not played and sung, by Jane, her parents and her sister Cassandra. Performed in "drawing-room" style this is music presented as it would have been heard in Jane's time. The CD also includes extracts from "Pride and Prejudice" and "Emma" and from some of Jane's letters to her sister, including the above reference to the family's forthcoming acquisition of a square piano, an instrument of the type used on this recording. Very different in tone (and tuning) to the modern grand piano, it is sometimes difficult to believe that this is the type of keyboard upon which many of the great works of Mozart were composed.

"This is a delightful idea for a recording… The non-musical items in the programme are done splendidly by the soprano Margarette Ashton… The performers themselves, Concert Royal, are excellent. With original instruments which include a one keyed flute and a square piano joining a soprano voice that is small but admirably suited to the repertoire the concept succeeds. The well-recorded programme really does create images of the scene that we are intended to imagine."
A recommendation then for an imaginative and enterprising CD - Classical Music on the Web

Tracks:

1. The Highland Laddie trad.; arr. Joseph Haydn (1732-1809)
2. The Yellow Hair'd Laddie trad.; arr. L.A. Kozeluch (1747-1818)
3. Peaty's Mill arr. Stephen Paxton (1735-1787)
4. Extract from "Sense and Sensibility" (1811) -Marianne compares Edward's lack of sensibility with Willoughby
5. Andantino by Ignace Joseph Pleyel (1757-1831)
6. Extract from "Sense and Sensibility" (1811) - Marianne has been abandoned by Willoughby
7. The Mansion of Peace by Samuel Webbe snr. (1740-1816)
8. Time hath not Thinn'd by William Jackson (1730-1803)
9. William Joseph Haydn; arr. Thomas Billington (1754-1832)
10. Extract from a letter from Jane to her sister Cassandra (5th September 1796) followed by Boulangeries (anon.)
11. Cymon and Iphigenia by Thomas Augustine Arne (1710-1778)
12. Extract from a letter from Jane to her sister Cassandra (27th December 1808) followed by:
Air des Ballets de la Caravane by A. E. M. Grétry (1741-1813)
13. The Wedding Day by James Hook (1746-1827)
14. The Nightingale (anonymous )
15. Extract from "Emma" (1816) - Mrs. Cole tells of the mysterious arrival of a pianoforte for Jane Fairfax
16. The Shepherd's Song by Joseph Haydn (1732-1809)
17. Extract from a letter from Jane to her sister Cassandra (15th January 1796) followed by The Irishman (anonymous)