[ BIS / Hybrid SACD ]
Release Date: Wednesday 1 June 2005
This item is currently out of stock. We expect to be able to supply it to you within 2 - 6 weeks from when you place your order.
"If future discs keep up the standards of the first two, this cycle will be one to be reckoned with. At over 81 minutes it's exceptional value anyway, but the playing is of star quality, and even the quirky artwork is being followed through. Go on - rediscover your Beethoven sonatas!"
(Recording of the Month Sept 2005 MusicWeb)
Hybrid/SACD Compact Disc also playable - in stereo - on all CD players.
MUSICWEB RECORDINGS OF THE YEAR (2005)
"If future discs keep up the standards of the first two, this cycle will be one to be reckoned with. At over 81 minutes it's exceptional value anyway, but the playing is of star quality, and even the quirky artwork is being followed through. Go on - rediscover your Beethoven sonatas!"
(Recording of the Month Sept 2005 MusicWeb)
The first volume in this series, featuring the Pathétique Sonata (Op. 13), was released last year to great acclaim from critics all over the world. In fact, several reviewers were looking forward to what they judged had the potential to become 'a monument', 'one of the best complete series of all time' and 'a Beethoven piano-sonata cycle that challenges the very notion of playing this music on modern instruments'. Ronald Brautigam's interpretations on his especially built fortepiano were described as 'riveting', 'compelling', 'revolutionary'‚ and 'refreshingly direct'‚ and the multichannel recording as 'first class' and 'up to BIS' highest standards'.
On "Early Vienna Sonatas", the second disc of the series, we go backwards in time a couple of years. Beethoven has just arrived in Vienna, and is taking lessons with Haydn - lessons which he himself found less than earth-shattering. He has also made the acquaintance of Prince Lichnowsky, a patron whose support would be very important for the young composer during the coming decades. The Op. 2 sonatas were in fact first performed at a concert at Prince Lichnowsky's residence before an audience which included Haydn, who insisted on a dedication - to Beethoven's annoyance. (He privately stated that he had 'nie etwas gelernt' ('never learned anything') from Haydn.) Written by a young man obviously intending to make his mark, the Op. 2 sonatas are on a much grander scale than those of Haydn and Mozart. They are also much more virtuosic - something that Ronald Brautigam takes in his stride!
Sonata No.1 in F minor, Op.2 No.1
Sonata No.2 in A major, Op.2 No.2
Sonata No.3 in C major, Op.2 No.3
Sonata No.19 in G minor, Op.49 No.1
Sonata No.20 in G major, Op.49 No.2