An Ode for St Cecilia's Day

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HANDEL
An Ode for St Cecilia's Day
Carolyn Sampson (soprano) James Gilchrist (tenor) / Choir of the King's Consort, The King's Consort Robert King, director

[ Hyperion SACD / SACD ]

Release Date: Wednesday 3 November 2004

This item is currently out of stock. It may take 6 or more weeks to obtain from when you place your order as this is a specialist product.

MAGAZINE CD OF THE MONTH/EDITOR'S CHOICE

- On Hybrid Super Audio CD (SACD) format, presented in multi-channel surround / stereo sound! PLAYABLE ON ANY CD SYSTEM.

GRAMOPHONE MAGAZINE CD OF THE MONTH / EDITOR'S CHOICE

'This new recording finds Robert King and his splendid King's Consort on top form and in Carolyn Sampson he has surely found one of the most exquisite voices for this repertoire'
- James Jolly, Gramophone

'This is a mouth-watering performance of Handel's colourfully georgous ode...the recording is in a class of its own when it comes to the seemingly effortless, beautiful singing of Carolyn Sampson, now the best British early music soprano by quite some distance...Notwithstanding many agreeable past achievements. King has seldom produced a disc of such outsanding conviction.'
- Gramophone

'Apart from the contributions of Robert King's ensemble and choir and tenor James Gilchrist, there's one outstanding reason to invest in this pairing of Handel's Ode and the ravishing cantata Cecilia, volgi un sguardo: the soprano Carolyn Sampson'
- The Independent

St Cecilia first appears in literature in a medieval collection of tales of early Christian martyrs who met gory deaths; at this stage there is little in her story to suggest a connection with music, but by the middle of the fifteenth century she had been accredited with the invention of the organ and was thus adopted as the patron saint of music. Over the succeeding centuries, the annual celebration of her patronage (falling on the supposed date of her martyrdom, 22 November) inspired composers to dazzling new heights of creativity. At the 1739 festival Handel's dazzling Ode to St Cecilia (setting the famous text by Dryden) presented enthralled London audiences with chorus, top-notch soloists and a splendid array of obbligato instruments - and some of Handel's finest music. For this new recording, Carolyn Sampson and James Gilchrist fully rise to the occasion, supported by choir and The King's Consort in sparkling form.

Paired with the seldom-heard setting for soprano and tenor Cecilia, volgi un sguardo (a Dryden setting from 1736 written as a showcase for the skills of Handel's two Italian opera stars), this generously filled new recording is a must!

Tracks:

An Ode for St Cecilia's Day HWV76 [48'45]

Overture: Larghetto, e staccato - [1'31]
Allegro - [2'00]
[Minuet] [1'14]
Recitative: From harmony, from heav'nly harmony [0'26]
Aria: When Nature underneath a heap [2'53]
Chorus: From harmony, from heav'nly harmony [3'35]
Aria: What passion cannot Music raise and quell! [7'20]
Aria and Chorus: The trumpet's loud clangour [3'39]
March [1'53]
Aria: The soft complaining flute [5'09]
Aria: Sharp violins proclaim [3'58]
Aria: But oh! What art can teach [4'46]
Aria: Orpheus could lead the savage race [1'49]
Accompagnato: But bright Cecilia rais'd the wonder higher [0'50]
Solo and Chorus: As from the pow'r of sacred lays [7'34]

Cecilia, volgi un sguardo HWV89 [28'55]

Recitative: Cecilia, volgi un sguardo JG [0'32]
Aria: La Virtute è un vero nume JG [5'02]
Recitative: Tu, armonica Cecilia JG [0'39]
Aria: Splenda l'alba in oriente JG [6'08]
Recitative: Carco sempre di gloria CS [0'35]
Aria: Sei cara, sei bella - CS [3'13]
Un puro ardor - CS [2'44]
Sei cara CS [3'27]
Recitative: È ben degna di lode CS [0'21]
Duetto: Tra amplessi innocenti CS, JG [6'08]